The Artist's First Steps

 

A Blog Featuring Established Technique and Original Approaches to Get You Started in Drawing from Observation

#037 Our Mind Fills In; So that we can Leave Out!

 

Hi!

Today we look at how to draw objects that are partially hidden by overlap. Why is this important? Because our drawing does not have three dimensional space like the real world. Instead, it is an illusion of space. We create this illusion in different ways: 

I want to remind those of us that are older, to be considerate of younger students. Younger students are still approaching the drawing process in a different way and prefer to show the entirety of each object. This is just fine. Everyone, no matter their age or ability, should be able to draw in the ways that make most sense to them. When you are ready to use the topics in this lesson, you will enjoy drawing this way!

Enjoy Drawing!

Brenda Ellis, Author of ARTistic Pursuits.

HERE'S WHAT YOU'LL DISCOVER

1. Objects show edges that belong to the object only and are not shared with another object.

2. One object overlaps another so that part of the more distant object is covered up (not seen).

*Students under...

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#036 The Mind's Task; Responding and Editing Visual Information

 

Hi,

Our summer lessons have shown you topics that will improve your drawing skills. You may wonder what an artist is thinking as he or she draws from direct observation. The mind is searching for visual information that is useful for the drawing. Not only that, but the mind is also blocking out information that it does not find useful. For instance, if you make a simple line drawing, you probably aren't too concerned about the color of the object. While drawing the outline, you may ignore things like logos, patterns, or other small details. The mind is busy focusing on one element at a time as it searches for visual information.

Enjoy Drawing!

Brenda Ellis

HERE'S WHAT YOU'LL DISCOVER

1. If you focus on the small details first, you won't be able to draw the object well.

2. Start with a focus on the big shapes and fitting those shapes onto the space of the page. 

3. Improve on the big shapes using line to describe creases, edges, and details.

4....

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#035 Use your Hand, Wrist, and Arm to Draw a Better Line

 

Hi!

Today we look at how our hand and arm are tools for drawing. Our physical body plays a part in our drawings. Our eyes move quickly around a subject, pausing and refocusing. Our wrist and elbows allow rotation, for making smooth arcs and curves. The shoulder allows for horizontal and vertical lines to be pulled in a straight line across the paper. Learn how to use your wrist, elbow, and shoulder as tools to make smooth lines that pack excitement! 

Enjoy Drawing!

Brenda Ellis, Author of ARTistic Pursuits.

HERE'S WHAT YOU'LL DISCOVER

1. Beyond our eyes, and our mind, our physical body plays an important role in how we draw. 

2. Using the wrist and elbow to pivot, we can make smooth curves. 

3. Using our shoulder we can pull straight lines across the space of the page. 

 Go to ARTistic Pursuits website.

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#034 How Focus Makes Your Drawings look More Realistic

 

Hi,

Why do some drawings look bland, while others really pop? Here we show how drawing can mimic the way our eyes view the world, making any drawing stand out! It's called focus. Look at how artist, Edgar Degas gave great attention to detail in the figure of the man in a red coat, but left the horse in line only.  We see the horse, so we know what the man sits upon, but Degas chose to emphasize the man with color and more detail like the creases in his coat and pants. When you want something to stand out, you can give focus to your drawings too. 

 

Enjoy Drawing!

Brenda Ellis

HERE'S WHAT YOU'LL DISCOVER

1. You can mimic the way our eyes work, by giving focus to one area of your picture. 

2. We do not need to draw everything we know about each subject in our drawing. Choose an object you want to stand out and draw more details in that area. 

3. Lighten lines toward the edges of the picture. 

 

Go to ARTistic Pursuits website.

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#033 Better Drawing Outcomes

 

Hi,

I'm so glad you've joined me the second drawing lesson of the summer. Have you ever spent a good deal of time on a drawing only to notice that a part of it was off? You wonder why you didn't see it earlier and now it feels like it's too late to make the change. Is this caused because you could not draw the line or because you did not notice the placement? I think it's always an error in observation, not because you lacked skills. You see, as we draw, we notice more and more about what we are looking at. When we are willing to make the changes as soon as we notice them, then our drawing does not get too finished too soon. Today we will discuss a practice that can greatly improve the outcome of your drawing, when you strengthen your muscle memory within the first 5 minutes.

Enjoy Drawing!

Brenda Ellis

HERE'S WHAT YOU'LL DISCOVER

1. When we draw an object we create muscle memory.

2. Muscle memory helps us to remember how we did it the first time, so there is less...

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#032 Why You Must SEE and Object Before You Can DRAW an Object

 

Hi,

I'm so glad you've joined me this summer for our first lesson. Children to adults can sometimes be tripped up by the first steps to drawing from observation. But that is exactly what you'll want to do, because when you find you own subject to draw, the drawing is truly yours! As your skills grow, you'll gain the confidence to draw anything, any subject, that appeals to your tastes and interests. 

I can't tell you how important drawing is. Any fully-rendered, shaded drawing or colorful painting relies completely on those first lines that you put onto the paper. If your line drawing is off, no amount of shading or coloring will make that better. That's why our summer lessons show you topics that will improve your drawing skills. 

Enjoy Drawing!

Brenda Ellis

HERE'S WHAT YOU'LL DISCOVER

1. If you can't clearly see the edges of your subject, you won't be able to draw it well.

2. Improve that edge by sitting the object in more light. 

...

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